Wild Pink in The Last Resort…
ABC Family network program The Last Resort, a reality show that follows real couples whose relationships are at a breaking point, who escape to the Hawaiian Islands to find out if they can bring back the passion they once had or if its time to go separate ways, will air the song “That’s What Girls Do.” “That’s What…” co-written by Nina Osoff and administered by us via Squeak-A-Mouse/Wild Pink Music (ASCAP), will be used as background vocals while couples try to overcome tasks and contemplate their futures.

“How About Some Hardcore” Hip-Hop Classic…
MIC Media/Image Entertainment presents “Lyricist Lounge Best of Hip-Hop Video Vol. 1” for home video. “Lyricist…” will include M.O.P.’s hit single “How About Some Hardcore” from their debut album ‘To the Death’, as part of the video compilation. M.O.P.’s catalog is administered by us via their Blind Man’s Bluff (ASCAP) catalog.

David Spade & Emanuel Lewis “Ante Up”…
Paramount Pictures feature film Dickie Roberts: Former Child Star, starring David Spade, will use the composition “Ante Up,” co-written and recorded by M.O.P., as background music. Dickie Roberts… is about a former child star (Spade) struggling to overcome mediocrity and attempting to revitalize his career by getting a roll as an average guy. “Ante Up” will be heard as musical backdrop while Dickie gets involved in a celebrity boxing match with another former child star, Emanuel Lewis. M.O.P.’s Blind’s Man Bluff (ASCAP) catalog is administered by us worldwide.

“We Gonna Make It” in Mariah documentary…
Viacom/VH1 introduces a new program entitled What’s It Like: Mariah Around the World.” The show will capture the feeling of life on the road with Mariah Carey as she rushes from one country to the next, documenting her experiences form the beginning of her European press tour to her appearance on the Today show. Footage will include Mariah listening to Jadakiss’s “We Gonna Make It,” produced by The Alchemist, on her stereo. The Alchemist’s material is administered by The Network through his A. Maman (ASCAP) catalog.

Westbury Music in Quatro Noza…
Independent film Quatro Noza, which follows the life of an inner city first generation Guatemalan American growing up in Crenshaw, Los Angeles, will use the compositions ‘Revelation,’ ‘Impulse,’ as musical backdrops in several scenes. The compositions, performed by DJ Kane and R Notorious J & Shaun Bear, respectively, are sub-published by The Network in North America via Westbury Music Ltd./Trouble On Vinyl (PRS).

Synchs for Indie Flick…
DDL Presents the independent film, Revenge, about an unlikely serial killer in Los Angeles who seeks revenge for a senseless shooting, leaving an 8-year old girl and her father dead. Revenge will use Jill Scott’ s “Gotta Get Up,” co-written by (Westbury Music/Somantik PRS), “Mopti,” written and preformed by Don Cherry (Eternal River Publishing Co. BMI), “Pretty Day,” written and performed by Miles (AMV Alster Musikverlag) and “Worst Comes to Worst,” produced by The Alchemist (A. Maman ASCAP), performed by Dilated Peoples. All aforementioned catalogs are administered through The Royalty Network, Inc.

“Jon F. Hennesy” in Final Destination 2…
New Line Cinema Feature Film, Final Destination 2, tells the story of a group of students on a road trip for spring break, who escape a near death traffic accident because of one peers’ premonition. The movie will use the composition “Jon F. Hennesy”, produced by The Alchemist, performed by FT. Alchemist’s material is administered by us via his A. Maman Music (ASCAP) catalog.

Wild Pink/BOK Synchs…
Columbia Tri-Star’s daytime drama, The Young And The Restless will air the compositions ‘Where Would I Be’ (J. Inglodsby/B. Allen), ‘Love Completes the Picture’ (T. Toth), ‘Share My Illusion’ and ‘A Little Crazy’ (T. Toth), ‘Another Day Without You’ and ‘Nobody Told Me’ (K. Hain) and ‘Whistle Down the Road’ (R. Powell) in upcoming episodes. All compositions are administered by us via Wild Pink Music (ASCAP) and BOK Music (BMI) catalogs.

More M.O.P. synchs…
ESPN’s NBA in Studio will use the composition “BK to LA,” co-written by and performed by M.O.P. & Xzibit, in an upcoming episode as background fin bumps and montages. M.O.P.’s material is administered by us through their Blind Man’s Bluff (ASCAP) catalog.